Every instrument we have built began with a single question: how does a field of light meet a living one? CHI Structure asks it more precisely than anything before it — a form built not around the room, but around the body’s own current.
It keeps the two things that never left our lineage: the Carousel of inert-gas tubes, arranged in the order we found resonates most fully with living systems, and the tall center quartz tube — tuned, as it has been since S.E.A.D., to run the length of the spine, from base to crown. CHI Structure refines that center line into its whole reason for being.
A quartz tube tuned from the base of the spine to the crown — refined here into the heart of the instrument.
The resonant order of inert-gas tubes that has defined every instrument we have built since 1994.
Made slowly, the same careful way — in the belief that the builder’s own intention becomes part of the field.
A CHI Structure is not bound to one size or setting. It can live inside the instrument itself, sit quietly on a coffee table, or stand out in the yard — and it can be built anywhere from handheld to well over six feet wide. Every one is pure copper, TIG-welded for both integrity and beauty.
In the machine, on the coffee table, or out in the yard — wherever it can hold the space.
From handheld to over six feet wide — built to the room and the intention it serves.
Pure copper, TIG-welded — chosen for structural integrity and for its own quiet beauty.
Ken, one of the makers, says even the current structure does a great deal on its own — sitting passively in a room, supporting what he describes as energy digestion and harmonization in the space around it.
It is not finished. When it is, it will be because it has earned the name.