A hand-spun Air Core Resonant Transformer — a Tesla coil — excites a carefully balanced mixture of argon, krypton, xenon, and neon into vibrant plasma. Each gas emits its own characteristic spectrum; together they span ultraviolet through near-infrared. Twelve tubes stand in the Carousel in a specific resonant order — move the tubes, and the field itself changes. A tall center quartz tube runs the height of the body, base of spine to crown. Alongside the light, the coil produces a genuine pulsed electromagnetic field. The whole instrument is deliberately analog — no electronic spark gap, no Wi-Fi — because in our experience the analog field carries harmonics the digital versions lose.
The four senses of a session.
A stunning visual field in hues of orange, red, blue and violet.
A wave field designed to rise to meet your own, toward a point of harmonic balance.
As energy pulses through the coils and across the spark gap, a hum fills the air.
As energy arcs the spark gap, a trace of ozone (in parts per billion) meets the senses — the scent of a charged room.
Twelve tubes, in an order that took years to find.
At the heart of every instrument stands the Carousel: twelve tubes of inert gas, arranged not by convenience but by resonance. The earliest units carried three. Refinement led to twelve, set in a specific sequence discovered — through patient trial across years of building — to resonate most fully with a living system. Move the tubes, and the field itself changes. The order is part of the instrument.
Through the center runs a tall quartz tube, tuned for Qi activation, standing the full height of the body from the base of the spine to the crown. Around it, argon, krypton, xenon, and neon each contribute their own spectrum — a composite of light from ultraviolet through near-infrared. It is a geometry, not merely a lamp: a structure built so that the whole speaks more than the sum of its tubes.
What we refuse to add.
Most modern devices are defined by what they include. This one is defined, in part, by what it leaves out — each omission a deliberate choice, held for thirty years.
The arc is genuine and physical. In our experience the analog field carries harmonics the digital versions quietly lose.
Nothing to update, nothing broadcasting. The instrument does one thing, the way it did in 1994.
Softer, more bio-available energy — refined toward restraint, out of respect for how delicate a living system can be.
The makers' thesis — held for thirty years — is that photons shape the quality of energy feeding back to the body's own light: the ultra-weak biophoton field Fritz-Albert Popp proved real and coherent. Whether an external coherent field couples to that internal one is the open question at the frontier. We think it's the most interesting question in the room.
The technology isn't meant to be analyzed while you use it. It creates an environment to be experienced directly. People describe sessions as calming, immersive, or uniquely engaging — shaped by the setting and the intention they bring.
These instruments are inspired by principles associated with Tesla, and by a century of exploration into light and frequency. Rather than making claims, we offer a platform for direct experience.